I use flowery upholstery fabrics that remind me of the classic European style prevalent in the community where I grew up in Israel, a community of immigrants who made an effort to integrate into a new society while still longing for the culture they left behind. The Lilith “fabric drawings” use these fabrics and sewing pins in reference to traditional “proper taste” and traditional feminine domestic tasks. Many of the works feature female figures emerging from a vegetation design made of multiple soft fabric pieces held together by prickly sewing pins to form a large patchwork that seems likely to fall apart at any moment.