The Golem “fabric drawings” employ unconventional materials and processes to focus on the energy that the whole body creates as it moves, and even as it stands still. Cut and disassembled industrial and upholstery fabrics, come together to form a lacy patchwork held together with sewing pins and staples that penetrate the soft material and keep the work in its temporary, unfinished state. They join drawings of graphite, charcoal, ink and string on paper to create a gallery of figures in motion.
Somewhat abstract, not immediately identified or in need to be “discovered,” these contemplative commanding portraits comment on the fragility of power and free will.